My Reaction to Jules Nya Write Up About Stanley Enow and Jovi Beef – Stanley Enow has not offended Jovi – Jovi is just envious of Stanley Enow’s Success Achievement, Period!

From this fluffy and unfounded writeup, i can now deduce (without any iota of doubt) that @jules_nya is the devil who has been fueling an unnecessary beef between @mbokogod and @stanleyenow behind the scene.

People like Jules Nya should be isolated in the Cameroon music industry. He is a bad seed. As long as people like Jules Nya are in the Cameroon music industry, the industry won’t experience any significant growth and we shall keep singing the “support your own song”.

Just like other fans of the two artists, i have often wondered what initiated the beef between Jovi and Stanley Enow (my two favorite 237 rappers). All i keeping hearing is, Stanley Enow disrespected Jovi. How he disrespected Jovi, no blogger has been able to tell us.

When i stumbled on this verbose writeup from Jules Nya, i was very excited to read, because i thought he would reveal how Stanley Enow offended/disrespected Jovi (as somebody who is a close friend to Jovi and have been a business partner of Jovi from day one) but he didn’t reveal how Jovi was disrespected. His write up was still about the same old cock and bull story about Stanley Enow disrespecting Jovi.

Contrary to your opinion (about Jovi paving the way for Stanley Enow) Jovi didn’t pave the way for Stanley Enow.

If you are saying that Jovi paved the way for Stanley Enow, you are indirectly saying that Jovi is the one who introduced pidgin rap in Cameroon; which is very wrong.

Jules Nya before Jovi released his first hit single “DON FOR KWAT” under your MUMAK record label, Cameroonians were already listening to pidgin rap songs by Nigerian rapper; Ruggedman as far back as 2007 (4 years before Jovi released DON FOR KWAT).

I’m sure most aspiring/upcoming Cameroonian rappers back then (including Jovi), caught the vision about Pidgin rap after CDs of Ruggedman’s sophomore album titled; Ruggedy Baba entered Cameroon. I remember i was still in secondary school back then and i never knew an artist like Jovi would emerge.

I can clearly recalled how i and my schoolmates (hiphop lovers) used to fight over a portable CD player and headphones, scrambling to listen to the album as the rap songs were very interesting.

Ruggedman’s Ruggedy Baba album was an eye opener to many Cameroonian rappers; whom before the release of the album were obsessed with hardcore American rap back then. In otherwords before Ruggedman introduced pidgin rap, almost every rapper in Cameroon back then wanted to rap like 50cent and other American rappers.

Because Jovi was the first Cameroonian to release a first hit pidgin rap song in Cameroon, this doesn’t mean he paved the way for other pidgin rappers in Cameroon hence deserve respect.

Even if Jovi was the one who pave the way for Stanley Enow, he still doesn’t deserve any respect for that.

Those who wanna know why, should go to the bible and read the relationship between John the Baptist and Jesus Christ.

Let’s assume that Jovi is the John Baptist who came to pave the way for Stanley Enow. Who should respect the other??? the lord or the forerunner???.

Jules Nya i also want to draw your attention to the fact that you are the one who has stagnated the music career of Jovi by instilling pride to the artist to the extent that he now view himself as a Cameroon rap god (Mbokogod) which other artists should bow to, as a result of that he feels he doesn’t need to go and meet other artists for collaboration. In other words Jovi feels he is the rap God every Cameroon artist should come to. This one of the bad attitudes which has limited him at the kwata level.

As an MTV Africa award winner; who is on the verge of clinching another MTV Africa Music Award (MAMA) in 2021 under “Best Francophone Act”, Stanley Enow is already a famous Cameroonian music star and doesn’t need to feature Jovi in his song to succeed. Rather, Jovi needs Stanley Enow, in order to elevate above his DON FOR KWAT level.

Let me still reiterate again, Stanley Enow doesn’t owe Jovi respect!

Respect is not by age or how long you’ve been in the industry, respect is earned. Why should somebody just expect respect from another person for nothing. Jovi should go and develop his interpersonal skills, work on his PR team, brand and market himself properly, collaborate with other big Artists outside his Newbell music label, in order to elevate above Stanley Enow’s level…that’s when he will earn respect from Stanley Enow.

So Mr Jules Nya, go and preach respect to the upcoming artists and not Stanley Enow. He has passed that level.

If e for be say na Jovi Lemontre produce Stanley Enow HEIN PERE or dem be releasam na under MUMAK records) or if e for be na Jovi write the song or teach Stanley Enow how to rap, wuna for surely don go Bamenda go send Stanley thunder. Envy go kill wuna.

I beg wuna end that wuna respect thing for Pascal and other ex-New Bell Music artists.

If KO-C no want respect Stanley Enow, na e cup of tea. The artist is irrelevant to Stanley Enow. However I’m happy that the artist has come back to his senses.

Jules Nya dem di tok SAY IF MAN PASS YOU, CARRY E BAG.

I REST MY CASE.

For those of you who don’t know, Jules Nya and Jovi co-founded MUMAK records; where Jovi released his first hit single DON FOR KWAT and his HIV (Humanity is Vanishing) Album. Jovi later part ways with Jules Nya to establish New Bell Music. Hence he is in a good position to explain how Stanley Enow has offended Jovi as the New Bell boss can easily confide in him due to their close ties. However his writeup is not different from that of an “I hearsay blogger”.

Below is the write up written by Jules Nya about Stanley Enow disrespecting Jovi.

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